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I magnify the fragility of narratives created through perception and contemplation, revealing their susceptibility to errors and illusions. Memory- vulnerable to distortions, inaccuracies, and gradual fading over time, undergoes reconstruction and alteration upon recall. 

Such interest in the fragility of perception and memory stems from my childhood as the youngest in a large family, with three generations and dozens of animals under one roof. This environment placed me in the middle of an intricate power dynamic of both humans and animals. Having awareness of never being able to see everything that happens concurrently when in a large group gave rise to fundamental doubts about the nature of experience, cognition, and memory.

To highlight the inherent limitations of our understandings, recurring elements morph in different combinations and situations, taking in the persona of each other. The parallax of gaze in the connected and disconnected images also contributes to the nonlinear storytelling. Through this play of confusion, viewers are challenged to connect the narrative dots in the skewed time and space of the enigmatic world.

KOR

             
                             
YOUNGMIN PARK                                                                                                                                                                   
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